Guggenheim Examines New Developments in Contemporary Photography with Photo-Poetics: An Anthology / Dates: November 20, 2015–March 23, 2016

The Solomon R. Guggenheim Museum presents Photo-Poetics: An Anthology, an exhibition documenting recent developments in contemporary photography and consisting of photographs, videos, and slide installations by ten international artists. With more than 70 works by Claudia Angelmaier, Erica Baum, Anne Collier, Moyra Davey, Leslie Hewitt, Elad Lassry, Lisa Oppenheim, Erin Shirreff, Kathrin Sonntag, and Sara VanDerBeek, the exhibition runs from November 20, 2015–March 23, 2016, and presents a focused study into the nature, traditions, and magic of photography in the context of the rapid digital transformation of the medium.

Organized by Jennifer Blessing, Senior Curator, Photography, with Susan Thompson, Assistant Curator, Solomon R. Guggenheim Museum, Photo-Poetics: An Anthology offers an opportunity to define the concerns of a new generation of photographic artists and contextualize their work within the history of art and visual culture. These artists mainly pursue a studio-based approach to still-life photography that centers on the representation of objects, often printed matter such as books, magazines, and record covers. The result is often an image imbued with poetic and evocative personal significance that resonates with larger cultural and historical meanings.

The artists in the exhibition attempt to rematerialize the photograph through meticulous printing, using film and other disappearing photo technologies. Drawing on the legacies of Conceptualism and invested in exploring the processes and techniques of photography, they are also deeply interested in how photographic images circulate. Theirs is a sort of “photo poetics,” an art that self-consciously investigates the laws of photography and the nature of photographic representation, reproduction, and the photographic object. The works in the exhibition, rich with detail, reward close and prolonged regard; they ask for a mode of looking that is closer to reading than the cursory scanning fostered by the clicking and swiping functionalities of smartphones and social media. Both the exhibition and its accompanying catalogue are conceived as anthologies, as independent vehicles to introduce each artist’s important and unique practice.

This exhibition is supported in part by Affirmation Arts Fund and The Robert Mapplethorpe Foundation.
The Leadership Committee for Photo-Poetics: An Anthology is gratefully acknowledged for its support, with special thanks to Erica Gervais and Ted Pappendick and Chair Rona Citrin as well as to Angelo K H Chan and Frederick Wertheim, Manuel de Santaren, Toby Devan Lewis, Ann and Mel Schaffer, Patty and Howard Silverstein, Cristina von Bargen, Tanya Bonakdar Gallery, Ann Cook and Charley Moss, Susan and Arthur Fleischer, Miyoung Lee and Neil Simpkins, Lauren and Scott Pinkus, and Barbara Toll.
Additional funding is also provided by the Solomon R. Guggenheim Museum’s Photography Committee.
To coincide with the exhibition, the Guggenheim will host a series of panel discussions featuring the participating artists. Moderated by Jennifer Blessing, these conversations will address the issues raised by the exhibition. Each discussion will be preceded by short talks from the featured artists. Details about the public programs presented in conjunction with Photo-Poetics: An Anthology will be posted on guggenheim.org/calendar.

Museum Hours: Sun–Wed, 10 am–5:45 pm; Fri, 10 am–5:45 pm; Sat, 10 am–7:45 pm; closed Thurs. On Saturdays, beginning at 5:45 pm, the museum hosts Pay What You Wish.
 For general information, call 212 423 3500 or visit the museum online at: guggenheim.org

Solomon R. Guggenheim Museum,
1071 Fifth Avenue, New York

Location: Tower Levels 2, 4, and 5
Dates: November 20, 2015–March 23, 2016

 

"No country for young men" Contemporary Greek Art in Times of Crisis @ Bozar Centre of Fine Arts / Brussels

Pavlos Fysakis Photography

This exhibition brings together work by 30 leading contemporary Greek artists whose work addresses the impact of the economic crisis on their country. Their work transcends the everyday coverage of political and economic developments and offers an insightful look at what is going on in Greece today. The focus, however, is not only restricted to the negative effects: the exhibition also looks at the opportunities the crisis offers for a reinvention of the country.


Participating artists: Loukia Alavanou / Manolis Anastasakos & Alexandros Vasmoulakis / Bill Balaskas / Depression Era / Eirene Efstathiou / Stelios Faitakis / Marina Gioti / Alexandros Georgiou / Philippe Grammaticopoulos / Guerrilla Optimists / Michalis G. Kallimopoulos / Dionisis Kavallieratos / Panos Kokkinias / Alkis Konstantinidis / Zissis Kotionis / Marinos Koutsomichalis, Afroditi Psarra & Maria Varela / Nicolas Kozakis & Raoul Vaneigem / Nikos Navridis / Angelos Papadimitriou / Maria Papadimitriou / Antonis Pittas / Poka-Yio / Stefania Strouza / Lina Theodorou / Panos Tsagaris / Kostas Tsolis / Dimitris Tsoumplekas / Chrisa Valsamaki / Kostis Velonis / Eirini Vourloumis / Zafos Xagoraris / Yorgos Zois

Curator: Katerina Gregos

BOZAR and the Atelier Bouwmeester are also welcoming a satellite project by Depression Era, a collective of photographers, artists, researchers, writers, architects, journalists and curators formed in 2012, recording the Greek crisis through images and texts. The Depression Era project exhibition takes place at the Atelier Bouwmeester, just across the street from BOZAR in 54-59 Galerie Ravenstein, and will be the first international presentation of the collective outside Greece.
More about Depression Era

Opening of the Exhibition :
Wednesday 25.03.2014 - 10:00 - 18:00
until  Sunday 03.08.2014

BOZAR CENTRE FOR FINE ARTS
Rue Ravenstein 23, 1000 Brussels
Belgium
Tel: +32 2 507 82 00

www.lizzyphotoblog.blogspot.gr


 

Photography Exhibition in Istanbul "20 Dollars 20 Kilos" /Opening: 4 March, Tuesday 19:00

20 Dollars 20 Kilos
5 March – 30 March 2014

Opening: 4 March, Tuesday 19:00

The ethnic Greek community in Istanbul had largely consisted of Turkish and Greek citizens up until 1964. Although their citizenship hardly mattered for them, the Turkish state used it as political leverage during the Cyprus dispute. The twelve thousand or so Greeks who had built a life and acquired property in Istanbul were soon expelled from the country as a result of black propaganda campaigns launched by the media under the false pretense of the Cyprus dispute. Their bank accounts were frozen, properties seized, private schools closed...

While thousands of Istanbul Greeks—who, by and large, had never been to Greece in their entire lives—were being deported, they were only allowed to take 20 kilos of baggage and 20 dollars with them. The exiles were accompanied by their spouses, children, partners, and loved ones. Fifty thousand exiles, who were accused of being too Greek in Turkey and too Turkish in Greece, would soon abandon their home and citizenship, never to return.
The project 20 Dollars 20 Kilos coordinated by Salih Erturan and curated by Hera Büyüktaşcıyan, focuses on this forced deportation. Extensive interviews with the victims and/or their family members were conducted in Athens, Imbros and Istanbul. In addition to the oral history activities, documents, archive scans and various printed and visual materials pertaining to the period will be exhibited to explore and to open up a debate on concepts such as separation, abandonment, defenselessness and stigmatization for the 50th anniversary of this incident.

Project Coordination and Management: BABİL Institute (www.babilder.org)
Strategic Partner: Ecumenical Federation of Constantinopolitans (IREF)
Project Supporters: Open Society Foundation, AB Sivil Düşün, Anadolu Kültür
Project Consultant: Rıdvan Akar

Tütün Deposu Lüleci Hendek Cad. No:12 Tophane 34425 İstanbul depo@depoistanbul.net +902122923956 www.depoistanbul.net

Photography Exhibition of Julia Margaret Cameron- August 19, 2013–January 5, 2014 at The Metropolitan Museum of Art

One of the greatest portraitists in the history of photography, Julia Margaret Cameron (1815–1879) blended an unorthodox technique, a deeply spiritual sensibility, and a Pre- Raphaelite–inflected aesthetic to create a gallery of vivid portraits and a mirror of the Victorian soul. This will be the first New York City museum exhibition devoted to Cameron's work in nearly a generation, and the first ever at the Met. The showing of thirty-five works is drawn entirely from the Metropolitan's rich collection, including major works from the Rubel Collection acquired in 1997 and the Gilman Collection acquired in 2005.

When she received her first camera in December 1863 as a gift from her daughter and son-in-law, Cameron was forty-eight, a mother of six, and a deeply religious, well-read, somewhat eccentric friend of many notable Victorian artists, poets, and thinkers. "From the first moment I handled my lens with a tender ardour," she wrote, "and it has become to me as a living thing, with voice and memory and creative vigour." Condemned by some contemporaries for sloppy craftsmanship, she purposely avoided the perfect resolution and minute detail that glass negatives permitted, opting instead for carefully directed light, soft focus, and long exposures that allowed the sitters' slight movement to register in her pictures, instilling them with an uncommon sense of breath and life.

The exhibition will feature masterpieces from each of Cameron's three major bodies of work: portraits of men "great thro' genius," including painter G. F. Watts, poet Alfred, Lord Tennyson, scientist Sir John Herschel, and philosopher and historian Thomas Carlyle; women "great thro' love," including relatives, neighbors, and household staff, often titled as literary, historical, or biblical subjects; and staged groupings such as her illustrations for Tennyson's Idylls of the King or her Annunciation in the style of Perugino.

THE METROPOLITAN MUSEUM OF ART
Julia Margaret Cameron           
August 19, 2013–January 5, 2014 / Gallery 852

about the museum

Photography Exhibition of Nikos Economopoulos in Fotografevi / April 18 – May 10

The exhibition opening of worldwide famous photographer, Magnum Photos member Nikos Economopoulos is on April 18 2013, in Fotografevi. The exhibition is composed of the photos he took in miscellaneous countries from the beginning of 1990 until today. There are black&white vintage photos Economopoulos took mainly in Turkey, Balkans and Caucasus along with the colored ones he recently took on various lands of the world.

Same day, Economopoulos, who had exhibitions and whose books are published in many countries, photos have been and still being published on the prestigious magazines and papers around the world, will be signing all his books released from Fotografevi Publishing.

Published his work titled “In The Balkans” on 2007, Fotografevi has published the third book of FotoCep series this February that is composed of approximately 100 of his photos.

Exhibition of NIKOS ECONOMOPOULOS in Fotografevi
April 18 – May 10,2013

Şehit Muhtar Bey Caddesi No: 22 Kat: 2 Talimhane - Taksim / Beyoğlu, 34437 İstanbul